Doubted

I’ve recently made a conscious decision to try and materialize my thoughts and ideas on paper succinctly and with very little author-tweaking. Initially, I felt dissatisfied by my very obvious inability to fully dissect and regurgitate my internal mind-narrative, to come up with word and image designs and then to start putting them into action. I had been thinking inside of an airtight box, and I knew I could expand the walls to the point where they would collapse. But it would take time, patience, and a very deliberate sort of introspection. Through this process, I’ve discovered that much of my frustration comes from a kind of unavoidable self-censoring, an anemic lexicon, and a mile-high mound of self-doubt.

And I’m most definitely not the first person to feel this way. Folks much more eloquent than I have written at length on self-doubt, on nascent ideas and the process of their maturation, and on their own limitations, which seem to be rather universal conditions. On the other hand, these people have found a way to express such feelings, which I have been struggling to do for the past hour, sat here on my laptop.

The first time I came across any piece of writing relating to this problem was in reading Kafka’s Diaries. This is probably a pretty typical introduction to any writing on « writer’s block », as Kafka writes exhaustively on his « inability to write », constructing some of the most beautiful sentences my eyes have ever been graced with. He unfolds the innermost layers of himself and releases them onto the page so effortlessly, so purely! It’s as if his mind was free of the fetters of self-doubt and censorship, and he felt safe enough to turn on the tap of his stream of consciousness. Unfiltered and straight from the source. I fucking wish!

And yet he still struggles. He still feels weighed down, he still feels inadequate.

« My condition is not unhappiness, but it is also not happiness, not indifference, not weakness, not fatigue, not another interest — so what is it then? That I do not know this is probably connected to my inability to write » (Diaries, 1910).

I feel really deeply about this work, and I admire Kafka’s capacity to go into the dredges of himself in order to find the seed of his qualms. He does this in various ways throughout his Diaries, thoroughly but laconic still.

I think I’d write all the time if I could write like Kafka.

More recently, too, as I was thinking of writing on this horrible condition, I read a piece on self-doubt in Real Review, a sick architecture quarterly based in London. I wasn’t looking for anything on doubt, and I certainly didn’t think I would find anything on it here. But the title, « Doubting Doubt » by Vilém Flusser was staring at me straight in the face and I dove into it, searching for answers to my own dilemma. « Doubt », Flusser writes, « as an Intellectual exercise, provides one of the few pleasures we know. As a moral experience, however, it is torture… in extreme or excessive doses, it paralyses all mental activity ». If I thought I related to Kafka, boy do I relate to this.

And here I am, staring at this unfinished piece of work after three weeks (in a completely different country) and actually doubting the message i’m trying to convey, the words I’ve used, the platform I’ll be sharing it on, how the content I put out will be received… And even though I’ve been fully aware of my own self-doubt, its tentacles are still both far-reaching and insidious. The result, as Flusser observes, is paralysis. I seem to be suffering the most extreme of cases (an exaggeration, I am aware).

At the same time, though I have been doubting myself left and right and up and down and backwards and forwards — it is the thing that has fueled my desire to tear it apart it and to confront it head on. I’ve created this platform, The Aléatoire, in order to come to terms with my creative and intellectual insecurities, hoping that perhaps I would be able to encourage a doubt-shedding space free of the shackles of pretension and full of friendly debate.

I am curious to watch the evolution of this project, and to « learn in public » alongside my brilliant pals. Perhaps my self-doubt will diminish to its pleasurable point. Perhaps it will worsen. Whichever is true, I will persist!

Desktop Snapshots

A little experiment; understanding each other via our desktops.

1. how do you organize your screen?

2. how many windows do you keep open at once?

3. do you prefer to go full screen?

4. what does your actual desktop look like? folders everywhere? neatly compartmentalized? chaos?

5. what have you chosen as your background? do you change it often? is it merely ornamental or does it carry any meaning?

This series will continue as long as I receive more desktop snapshots.

Maddy Pease, "Brianna"

I've recently settled back into my life in Berkeley, and I find myself constantly yearning for something that has passed, that no longer exists. I want to go away again. But I'm stuck here. Stuck, in this little town full of humans who run around in circles screaming out their accomplishments, hoping for someone to hear them. How many achievements must I check off before I am worthy of your time? I truly believe this is the mindset of the Berkeley Human. It's a tragic thought, really!

And every day, on my straight-shot walk to campus, I observe these people, unable to comprehend how I may have once been like them too. Every day I am here however, I find myself nearing the edge of that pit of confusion and insecurity where I once lay so helplessly. I need to keep checking myself and reaffirming my personhood, or I will indeed slip on that mossy edge and fall, fall, fall.

So, thinking of my personhood -- or who I really am -- I was brought back to a little collaborative video project I did with the most-talented Maddy Pease. We were on the same program together in London and Paris, yet never really got to spend much time getting to know each other. Everything I knew about this woman was that she always made the class roar with laughter, she combined patterns and colours effortlessly, and she made everyone feel so special. I wanted to know her, but I'm too much of a loner to initiate anything these days. So thank goodness she came up to me first! She asked me if I wanted to collaborate with her on a video project, and I accepted.

Maddy's interpretation of me is beautiful, sunny, full of life, and kind of magical. Maybe it's the version of myself i'd like for others to see, maybe it's really who I am when the darkness of Berkeley engulfs my soul and spirit. I definitely wandered through some vulnerable spots in my mind when she sat me down and interviewed me, having to take a look at myself through the lens of an outsider. The seconds-long clips each capture an element of my being -- answering the ever-persistent question: Who Am I? It doesn't need to be a list of accomplishments, niche music I listen to, or any exterior embellishments that only seem to serve as cover-ups for deeply-rooted insecurities. These are merely stripped elements of a still-developing person.

And so, sitting here in Berkeley, I can think back to this project and be swept back into the mindset of what actually makes me, myself. It's difficult when you're surrounded by an unending pressure to fit in a box of uncomplicated academic excellence. I know I do not fit in this box, and with time I think I will come to accept this, and really be able to sit comfortably in my person.

I also made sure to ask Maddy about her feelings on the piece, and her response was unsurprisingly, brilliant:

"My dad has always told me I am old soul & maybe that’s why adding vintage effects to my work brings me joy. There’s something really special about learning the distinct quirks to a person - and when I worked with Brianna I really tried to see her. We talked about what she sees when she’s about to pass out, we talked about the brain tattoo on her arm, but most importantly we discussed identity. She shared her relationship with being mixed-race and the duality that comes with it — and I tried to capture that in my video. A lot of my work plays with womanhood and the struggles, blessings, joys, and everything in between that comes with it. I communicate with color because it has always infatuated me. I don’t limit myself to one genre of work; I think I always want to be changing what I’m doing to keep my work exciting."

Maddy Pease is a design student at UCLA.

https://maddypease.com/

Her hobbies include: *making zines *discovering the best homemade ranch *flower hunting *color experimenting *learning a new skill with my hands

She's most proud of: *maddy’s first sticker pack available in the ios app store made with xcode + photoshop *calle del mar ‘locals’ found on calledelmar.us under ‘locals’ *fem newsmag print magazines found on issuu.com by searching fem newsmagazine *redbubble designs found by searching ‘maddy pease’ on redbubble.com

xx